PT115 S1 P3 Q14 ExplanationHaraway’s Primate Visions

Donna Haraway’s Primate Visions is the most ambitious book on the history of science yet written from a feminist perspective, embracing not only the scientific construction of gender but also the interplay of race, class, and colonial and postcolonial culture with the “Western” construction of the very concept of nature itself. Primatology for scientists’ conscious and unconscious projections of their beliefs about nature and culture.

Haraway’s most radical departure is to challenge the traditional disjunction between the active knower (scientist/historian) and the passive object (nature/history). In Haraway’s view, the desire to understand nature, whether in order to tame it or to preserve it as a place of wild innocence, is based on a troublingly masculinist and colonialist agents cannot be reduced to a single, coherent reality—there are necessarily only multiple, interlinked, partial realities.

This iconoclastic view is reflected in Haraway’s unorthodox writing style. Haraway does not weave the many different elements of her work into one unified, overarching Story of Primatology; they remain distinct voices that will not succumb to a master narrative. This fragmented approach to historiography is familiar enough in historiographical theorizing but history, whether strictly narrative or narrative with emphasis on a causal argument.

Haraway is equally innovative in the way she incorporates broad cultural issues into her analysis. Despite decades of rhetoric from historians of science about the need to unite issues deemed “internal” to science (scientific theory and practice) and those considered “external” to it (social issues, structures, and beliefs), that dichotomy has proven one must shed a great many assumptions about what properly belongs to the study of science.