Reading ComprehensionDifficulty: Easy

PT139 S3 P2 Q10 Explanation

A Return to Tintypes

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Passage

When Jayne Hinds Bidaut saw her first tintype, she was so struck by its rich creamy tones that she could hardly believe this photographic process had been abandoned. She set out to revive it. Bidaut had been searching for a way to photograph insects from her entomological collection, but paper prints simply dimensionality she wanted. The image-containing emulsion can often create a raised surface on the plate.

For the photographer Dan Estabrook, old albumen prints and tintypes inspired a fantasy. He imagines planting the ones he makes in flea markets and antique shops, to be bygone time that never existed.

On the verge of a filmless, digital revolution, photography is moving forward into its past. In addition to reviving the tintype process, photographers are polishing daguerreotype plates, coating paper with egg whites, making pinhole cameras, and mixing emulsions from nineteenth-century recipes in order to coax new expressive effects from old photography’s roots that the movement is more like a groundswell.

The old techniques are heavily hands-on and idiosyncratic. That is the source of their appeal. It is also the prime reason for their eclipse. Most became obsolete in a few decades, replaced by others that were simpler, cheaper, faster, and more consistent in their results. Only the tintype lasted as a curiosity cropped out by a nineteenth- century photographer, Estabrook retains them to heighten the sense of nostalgia.

This preoccupation with contingency offers a clue to the deeper motivations of many of the antiquarian avant-gardists. The widely variable outcome of old techniques virtually guarantees that each production is one of a kind and bears, on some level, the indelible mark of the artist’s encounter with a particular set of circumstances. an intimacy with photographic communication that mass media have all but overwhelmed.

What this question is testing

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Pin down exactly what the question asks about the passage — a detail, the author's view, the structure, or the main point — before looking at the choices.

Common trap

Answers that restate a true detail from the passage but don't answer the specific question being asked.

Winning move

Anticipate the answer in your own words from the passage, then find the choice that matches that prediction.

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The question
10.

Information in the passage most helps to answer which one of the

Answer choices

  1. Inverse Bait: not revived3% picked this

    What are some nineteenth-century photographic techniques that have not

    The only 19th century photo techniques we heard of (tintype, albumen, daguerrotype plates, pinhole cameras) are ones that are part of this revival.

  2. Out of Scope: chemical makeup3% picked this

    What is the chemical makeup of the emulsion applied to the iron plate in

    The 1st paragraph just says, "The image-containing emulsion can often create a raised surface on the plate." The 3rd paragraph says, "mixing emulsions from 19th century recipes". But we have no idea what chemicals were involved in that emulsion.

  3. Too Specific: pinhole users2% picked this

    What are the names of some contemporary photographers who are using

    The only contemporary photographers named are Bidaut (who we only hear about using the tintype) and Estabrook (who we only hear about using old albumen prints an tintypes). We don't have any names we can attach to pinhole cameras.

  4. Unsupported Causal Relationship: eggy effect8% picked this

    What effect is produced when photographic paper is coated with

    In the 3rd paragraph were just hear in passing that one of the techniques being revived is "coating paper with egg whites", but we have no idea what specific effect is produced by doing so.

  5. Correct83% picked this

    What were the perceived advantages of the innovations that led to the obsolescence of many early

    Why this is right

    In the 4th paragraph it says, The old techniques are heavily hands-on and idiosyncratic. That is ... the prime reason for their eclipse. Most became obsolete in a few decades, replaced by others that were simpler, cheaper, faster, and more consistent. And two sentences later. Today's artists quickly discover that to exploit the past is to court the very uncertainty that early innovators sought to banish. So the perceived advantages of more modern techniques were that they were simpler, cheaper, faster, more consistent, less hands-on, less and less idiosyncratic / uncertain.

    Skill tested: Five Questions · how this choice captures the passage's function is the move to repeat next time.

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