Reading Comprehension

PT137 · S1 · P2 · Q13 !Kung Woman

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Taking the explication of experience as its object as well as its method, Marjorie Shostak’s Nisa: The Life and Words of a !Kung Woman weaves together three narrative strands, and in doing so challenges the ethnographer’s penchant for the general and the anonymous.

Topic

Marjorie Shostak’s book Nisa: The Life and Words of a !Kung Woman and how it challenges conventions in ethnography by weaving together personal, cultural, and collaborative narratives.

Framework

Challenge Position (critiques typical ethnography and accepted Western views of "simple" societies); Highlight Noteworthy (spotlighting the unique approach and impact of Shostak’s book)

Main Point

Shostak’s Nisa breaks away from traditional, generalizing ethnography by weaving together the individual voice of Nisa, broader reflections on women’s experience, and the author–subject collaboration, thereby challenging both Western ideals of “simple” societies and the usual omission of women’s perspectives. (Most Valuable Sentence: - P1)

P1: Introducing the Book’s Structure and Its Challenge to Ethnography

This paragraph describes how Shostak’s book combines three narrative threads: Nisa’s autobiography, her experiences as a metaphor for women everywhere, and the collaborative encounter between Shostak and Nisa. In doing so, the book pushes back against the usual focus on the generic and the impersonal in ethnography.

P2: Correcting Misconceptions About the !Kung and “Simple Societies”

Here, the passage explains how Nisa’s story complicates the Western tendency to romanticize societies like the !Kung. By sharing gritty details and tragic experiences, Shostak (through Nisa) challenges the “idyllic” view and brings attention to difficult realities.

P3: Elevating Women’s Narratives and Pointing Out Their Usual Absence

This paragraph highlights how Shostak uses Nisa’s life story not just to tell one woman’s tale, but to comment on the broader female experience—a perspective often missing from ethnographic studies.

13.

The approach of which one of the following is most similar to Shostak's approach as her approach is described in the passage?

  1. Correct

    The producer of a documentary

    Why this is right

    A documentary producer who interacts with the subject on film, with the interaction revealing the subject's life, mirrors Shostak's approach: the maker is visible, the exchange is part of the work, and the subject's story emerges through it.

    Skill tested: Analogy · how this choice captures the passage's function is the move to repeat next time.

    70% picked this

  2. A work presented as an

    Bad Match

    A ghostwriter hides behind the subject, and the collaboration is concealed. Shostak's presence in the encounter is explicit, which is the opposite of ghostwriting.

    2% picked this

  3. An ethnographer describes the day-to-day

    Partial Match

    Using one individual to exemplify a group is the conventional ethnographic move the passage says Shostak challenges. It captures the single-life focus but leaves out the visible collaboration between ethnographer and subject.

    15% picked this

  4. A writer illustrates her views

    Bad Match

    A writer drawing on her own childhood has no separate subject to engage with. Shostak's approach depends on an encounter between two people.

    8% picked this

  5. The developer of a series

    Bad Match

    Scattered anecdotes from many people used to decorate a textbook involve neither a single subject nor any visible interaction between author and subject. Nothing about Shostak's method survives here.

    6% picked this

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