Reading Comprehension

PT136 · S1 · P3 · Q18 Toni Morrison’s Jazz

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Music and literature, rivals among the arts, have not coexisted without intruding on each other’s terrain.

Topic

The musical structure and narrative innovation of Toni Morrison's novel Jazz, especially how it draws from jazz music to shape its literary form.

Framework

Theme / Example

Main Point

Morrison’s Jazz stands out as the first African American novel to use a musical genre—jazz—as its structuring principle, not just thematically but in the very way the story is told, thus redefining what narrative point of view can do in literature. (Best encapsulated in the final paragraph and in the sentences: )

P1: Literature inspired by music—Morrison’s innovation

We’re told that music and literature have always influenced one another, especially in the African American tradition, but that Toni Morrison was the first to structure an entire novel based on a musical genre—jazz—with her 1992 novel Jazz.

P2: How Jazz mimics jazz music in its narrative

The passage explains that the novel doesn’t just reference music in its plot but replicates jazz’s structure in its narration. The storytelling shifts from a detached narrator to deeply personal voices of the characters, much like solos in a jazz band, with the narrator still controlling the overall “composition.”

P3: Comparison to Duke Ellington’s musical innovations

This paragraph brings in Duke Ellington’s composing style—writing pieces tailored to his musicians, encouraging individuality but always within the larger work. Morrison’s storytelling is compared to this, with her allowing character “solos” within her own carefully designed narrative frame.

18.

The information in the passage most supports which one of the following statements regarding Ellington?

  1. Morrison has explicitly credited him

    Too Strong: explicitly

    Nothing in the passage allows us to say that Morrison ever explicitly credited Ellington with inspiring the style of narration in Jazz. The author definitely thinks that Morrison achieved a literary rendering of Ellington's style, but that doesn't mean Morrison was setting out to do so or ever explicitly credited Ellington with being the inspiration.

    8% picked this

  2. He prevented his musicians from

    Contradicted: prevented lengthy solos

    We're told that "no matter how lengthy the solo was, they always fit within the logic of the composer's frame", so this answer is basically saying that the soloists were not prevented from doing lengthy solos.

    7% picked this

  3. He is a minor character

    Out of Scope: minor character

    Nothing in the passage suggests that Duke Ellington is a character in Jazz.

    1% picked this

  4. Correct

    He composed music that was

    Why this is right

    This matches nicely with the first sentence of the 3rd paragraph (and provides a good illustration of why it can be very useful to go back to the passage before checking out answers). Duke Ellington was the first to construct his compositions with his individual musicians and their unique "voices" in mind. This suggests that the music Ellington composed in such a way was intended to be played with his specific bandmates. It would be silly for Ellington to compose a piece of music with the unique voices of his band members in mind (e.g. "Eddie can play this part; Felix will fit in here" etc.), if he weren't planning to play that piece with those band members.

    Skill tested: Inference · how this choice captures the passage's function is the move to repeat next time.

    83% picked this

  5. Though he composed and conducted

    Out of Scope: other genres

    Nothing in the 3rd paragraph indicates that Ellington worked in any styles besides jazz.

    1% picked this

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