Reading ComprehensionDifficulty: Medium

PT129 S4 P3 Q18 Explanation

Willa Cather

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Passage

The following passages are adapted from critical essays on the American Cather (1873–1947).

Passage A When Cather gave examples of high quality in fiction, she invariably cited Russian writers Ivan Turgenev or Leo Tolstoy or both. Indeed, Edmund Wilson noted in 1922 that Cather followed the manner of Turgenev, not depicting her characters’ emotions directly but telling us how they behave and letting their “inner to avoid overloading the work with unnecessary detail, concentrating instead on what is characteristic and typical.

Here we have an impressionistic aesthetic that anticipates Cather’s: what Turgenev referred to as secret knowledge Cather called “the thing not named.” In one essay she writes that “whatever is felt upon the page without being specifically named there—that, one might say, is created.” For both writers, there is the absolute importance all the elements of narrative for these writers is the establishment of a prevailing mood.

Passage B In a famous 1927 letter, Cather writes of her novel Death Comes for the Archbishop, “Many [reviewers] assert vehemently that it is not a novel. Myself, I prefer to call it a narrative.” Cather’s preference anticipated an important reformulation of the criticism of fiction: the body of literary theory, called which takes as its object “narrative” rather than the “novel,” seems exactly appropriate to Cather’s work.

Indeed, her severest critics have always questioned precisely her capabilities as a novelist. Morton Zabel argued that “[Cather’s] themes...could readily fail to find the structure and substance that might have given them life or redeemed them from the tenuity of a sketch”; Leon Edel called one of her novels “two inconclusive fragments.” “non-novelistic” structures indirectly articulate the essential and conflicting forces of desire at work throughout Cather’s fiction.

What this question is testing

Author Opinion

Your task

Pin down exactly what the question asks about the passage — a detail, the author's view, the structure, or the main point — before looking at the choices.

Common trap

Answers that restate a true detail from the passage but don't answer the specific question being asked.

Winning move

Anticipate the answer in your own words from the passage, then find the choice that matches that prediction.

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The question
18.

Both authors would be likely to agree that which one of the following, though typical of many novels, would NOT be

Answer choices

  1. Cather Does This4% picked this

    Description of the salient features of the setting, such as a chair in which a

    She selects only the characteristic and typical details, so a salient feature would be something she'd include.

  2. Cather Does This3% picked this

    A plot that does not follow chronological time, but rather moves frequently between the novel's

    The typical novel as "realistic treatment of time", while Cather has "unusual treatment of time", so this seems to align with Cather.

  3. Cather Probably Does This9% picked this

    Description of a character's physical appearance, dress, and

    The closest we get to this is in Psg A, in which we hear that Turgenev "selects details that describe a character's appearance and actions without explaining them". Since he is identified as a stylistic buddy of Cather's, we'd probably assume that she does this. This is also never mentioned as a quality of many typical novels.

  4. Out of Scope8% picked this

    Direct representation of dialogue between the novel's characters, using quotation marks to set

    Neither passage talks about whether authors use quotation marks. It would be pretty weird to say that Cather doesn't use dialogue in her novels.

  5. Correct76% picked this

    A narration of a character's inner thoughts, including an account of the character's

    Why this is right

    This is referring to "direct psychological characterization" (narration of inner thoughts). We know from end of B's first paragraph that the dominant modern Western form does this. The beginning of A's first paragraph tells us that Cather "does not depict her characters' emotions directly". She and Turgenev want to know and feel the roots of phenomena (anxieties and wishes) but only present the phenomena themselves. B tells us that narratology does NOT concern itself with direct psychological characterization, and that narratology is exactly appropriate to Cather's work, so we can fuse those together to get the idea that B would also agree Cather does not do this.

    Skill tested: Author Opinion · how this choice captures the passage's function is the move to repeat next time.

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