Reading ComprehensionDifficulty: Easy

PT129 S4 P3 Q17 Explanation

Willa Cather

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TopicsAuthor OpinionHumanities

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Passage

The following passages are adapted from critical essays on the American Cather (1873–1947).

Passage A When Cather gave examples of high quality in fiction, she invariably cited Russian writers Ivan Turgenev or Leo Tolstoy or both. Indeed, Edmund Wilson noted in 1922 that Cather followed the manner of Turgenev, not depicting her characters’ emotions directly but telling us how they behave and letting their “inner to avoid overloading the work with unnecessary detail, concentrating instead on what is characteristic and typical.

Here we have an impressionistic aesthetic that anticipates Cather’s: what Turgenev referred to as secret knowledge Cather called “the thing not named.” In one essay she writes that “whatever is felt upon the page without being specifically named there—that, one might say, is created.” For both writers, there is the absolute importance all the elements of narrative for these writers is the establishment of a prevailing mood.

Passage B In a famous 1927 letter, Cather writes of her novel Death Comes for the Archbishop, “Many [reviewers] assert vehemently that it is not a novel. Myself, I prefer to call it a narrative.” Cather’s preference anticipated an important reformulation of the criticism of fiction: the body of literary theory, called which takes as its object “narrative” rather than the “novel,” seems exactly appropriate to Cather’s work.

Indeed, her severest critics have always questioned precisely her capabilities as a novelist. Morton Zabel argued that “[Cather’s] themes...could readily fail to find the structure and substance that might have given them life or redeemed them from the tenuity of a sketch”; Leon Edel called one of her novels “two inconclusive fragments.” “non-novelistic” structures indirectly articulate the essential and conflicting forces of desire at work throughout Cather’s fiction.

What this question is testing

Author Opinion

Your task

Pin down exactly what the question asks about the passage — a detail, the author's view, the structure, or the main point — before looking at the choices.

Common trap

Answers that restate a true detail from the passage but don't answer the specific question being asked.

Winning move

Anticipate the answer in your own words from the passage, then find the choice that matches that prediction.

Reading along? Open the full official question in LawHub — we show a fragment here and keep the reasoning in our own words.

The question
17.

It is most likely that the authors of the two passages would both agree with which one of

Answer choices

  1. Out of Scope: stream of consciousness1% picked this

    More than her contemporaries, Cather used stream-of-consciousness narration to portray

    Neither passage ever mentions Cather's use of stream-of-consciousness or compares her use to that of contemporaries.

  2. Unsupported Passage A11% picked this

    Cather's works were not intended as novels, but rather

    Passage A never gets into whether Cather intended her work to be a novel or a narrative.

  3. Trap4% picked this

    Narratology is the most appropriate critical approach to

    Too Strong for Passage A: most appropriate Out of Scope: narratology Passage A never talks about the field of criticism known as narratology, so we wouldn't be able to support the idea that Passage A consider that the most appropriate approach to Cather.

  4. Unsupported Passage B2% picked this

    Cather's technique of evoking the "thing not named" had a marked influence

    Passage B never talks about the "thing not named", and even Passage A never says that it had any big influence on later novelists.

  5. Correct81% picked this

    Cather used impressionistic narrative techniques to portray the psychology of

    Why this is right

    Passage A explains how Cather (like Turgenev) use an impressionistic aesthetic: avoid overloading the work with unnecessary detail, concentrating instead on what is characteristic and typical Cather didn't depict her characters' emotions directly. She would just explain how they behave and let their inner blaze of glory shine through. Passage B talks about Cather's "impressionistic technique", including "a preference for the bold, simple, and stylized in character as well as in landscape." Earlier in Passage B, we heard that Cather is a narratologist, and narratologists avoid direct psychological portrayals of characters. Ultimately, the textual support from each passage for this is thin, if you go looking for one line. This is definitely a case of "Best Available Answer" and trusting the gist of the passages. At least both passages do attest to Cather having an impressionistic style. (Impressionism was an art movement that didn't go for realism or detail ... it went for the general impression of a realistic scene ... it was about conveying the mood of a scene, not all the specific details)

    Skill tested: Author Opinion · how this choice captures the passage's function is the move to repeat next time.

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