Reading ComprehensionDifficulty: Hard

PT128 S4 P2 Q8 Explanation

Woody Allen

A free, expert breakdown of this official LSAT Reading Comprehension question.

TopicsPrincipleHumanities

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Passage

ln filmmaker Woody Allen's Deconstructing Harry, the writer Harry Block is presented as extremely neurotic and narcissistic. Block uses his experiences as fodder for his work, no matter how embarrassing the result may be for the other people in his life. And while Allen exaggerates Block's narcissism for comic effect, the effect a new direction for Allen than a concentrated reprise of a theme present throughout his career.

For instance, a film producer in Stardust Memories, Allen's sourest portrait of artists before many, articulates a particularly cynical view of cinematic art after a screening of a film-in-progress by Stardust Memories' main character, Sandy Bates. The producer says of Bates, "His insights are shallow and morbid. I've seen it all before. it off as art" appears sufficiently often in Allen's films to seem an unresolved personal issue.

In Manhattan, the ex-wife of a television writer and aspiring novelist offers a denigratory take on the artistic enterprise that is similar to the producer's in Stardust Memories. Her book documenting the collapse of her marriage punctures her ex-husband's artistic pretensions by revealing that he "longed to be an artist but balked he elevated to tragic heights when, in fact, it was mere narcissism."

It is also significant that in Allen's films, the less artistic the characters, the more likely their narrative is to result in a happy ending. Thus, the filmmaker in Crimes and Misdemeanors, the novelist in Husbands and Wives, and the screenwriter in Celebrity all wind up desolate and solitary, largely because of gratifying resolution Allen has scripted, primarily due to altruistic devotion to his utterly talentless nightclub performers.

What this question is testing

Principle

Your task

Pin down exactly what the question asks about the passage — a detail, the author's view, the structure, or the main point — before looking at the choices.

Common trap

Answers that restate a true detail from the passage but don't answer the specific question being asked.

Winning move

Anticipate the answer in your own words from the passage, then find the choice that matches that prediction.

Reading along? Open the full official question in LawHub — we show a fragment here and keep the reasoning in our own words.

The question
8.

It can most reasonably be inferred that which one of the following principles underlies the author's argument

Answer choices

  1. Out of Scope: artistic merit29% picked this

    Critics should consider not only an individual film in isolation, but also its relation to the filmmaker's entire body of work, when attempting

    This author was pretty neutral in describing Woody's motif. She never indicated she thought it was insightful, new, tiresome, etc. So her argument didn't involve any principle of "how you judge a film's merit".

  2. Unclear Impact1% picked this

    People who are not themselves artists should not presume to interpret films that take as their

    Is our author herself an artist? We have no idea. If she isn't, then this answer would say that she shouldn't even have written this passage.

  3. Correct66% picked this

    The fate that a character in a movie meets can give an indication of the filmmaker's views concerning his approval

    Why this is right

    This is very mildly phrased, so it's easy to agree with. It certainly isn't a principle underlying the bulk of the passage, but it sort of explains how the last paragraph relates to the previous three paragraphs. The author is building a case that a motif throughout Allen's films was to mock snobby artist types. The author tries to further illustrate that main contention by showing us that Allen doesn't mock nonartistic types. The evidence for that is that the nonartistic characters tend to have happier outcomes (the fate that character meets in the movie). The beginning of the last paragraph is saying, "It is also significant that in Allen's films, the less artistic the characters, the more likely their narrative is to result in a happy ending." Is that also significant? It only relates to what we've been talking about so far if "the likelihood of resulting in a happier outcome is indicative of the filmmaker's approval / disapproval of that character".

    Skill tested: Principle · how this choice captures the passage's function is the move to repeat next time.

  4. Out of Scope: writer of screenplay3% picked this

    The writer of a film's screenplay should be considered only one of many contributors to the ultimate

    I don't know how this answer was pretending to be relevant, other than the outside knowledge trap for people who know that Woody Allen usually writes and directs his films (but that's never said in the passage). Our author is never talking about who wrote the screenplay vs. other contributors to a film. The only contributor we talk about is Woody Allen.

  5. Out of Scope1% picked this

    Prior work of a film's cast members should be taken into account when assessing the artistic

    Out of Scope: cast members' prior work This passage never talks about what other roles the actors in Woody Allen movies had portrayed before they appeared in a Woody Allen film.

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