Hopi Personal Names

Personal names are generally regarded by European thinkers in two major ways, both of which deny that names have any significant semantic content. In philosophy and linguistics, John Stuart Mill’s formulation that “proper names are meaningless marks set upon persons to distinguish them from one another” retains currency; in anthropology, Claude Lévi-Strauss’s evoke these events suggest that Hopi names can be seen as a type of poetic composition.

Throughout life, Hopis receive several names in a sequence of ritual initiations. Birth, entry into one of the ritual societies during childhood, and puberty are among the name-giving occasions. Names are conferred by an adult member of a clan other than the child’s clan, and names refer to that name giver’s clan, as “little rabbit,” which reflects both the child’s size and the representative animal.

More often, though, the name giver has in mind a specific event that is not apparent in a name’s literal translation. One Lizard clan member from the village of Oraibi is named Lomayayva, “beautifully ascended.” This translation, however, tells nothing about either the event referred to—who or what ascended—or the name giver’s quality of Western Apache place names that led one commentator to call them “tiny imagist poems.”

Hopi personal names do several things simultaneously. They indicate social relationships—but only indirectly—and they individuate persons. Equally important, though, is their poetic quality; in a sense they can be understood as oral texts that produce aesthetic delight. This view of Hopi names is thus opposed not only to Mill’s claim that personal linguistic practices in order to discern the beauty and significance of Hopi names.