Reading ComprehensionDifficulty: Easy

PT3 S3 P4 Q27 Explanation

Navajo Weaving

A free, expert breakdown of this official LSAT Reading Comprehension question.

TopicsLocal PurposeHumanities

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Passage

Amsden has divided Navajo weaving into four distinct styles. He argues that three of them can be identified by the type of design used to form horizontal bands: colored stripes, zigzags, or diamonds. The fourth, or distinct border surrounding centrally placed, dominating figures.

Amsden believes that the diamond style appeared after 1869 when, under Anglo influence and encouragement, the blanket became a rug with larger designs and bolder lines. The bordered style appeared about 1890, and, Amsden argues, it reflects the greatest number of Anglo influences on the newly emerging rug business. The Anglo desire that in early bordered specimens strips of color unexpectedly break through the enclosing pattern.

Amsden argues that the bordered rug represents a radical break with previous styles. He asserts that the border changed the artistic problem facing weavers: a blank area suggests the use of isolated figures, while traditional, banded Navajo designs were continuous and did alternated horizontal decorative zones in a regular order.

Amsden’s view raises several questions. First, what is involved in altering artistic styles? Some studies suggest that artisans’ motor habits and thought processes must be revised when a style changes precipitously. In the evolution of Navajo weaving, however, no radical revisions in the way articles are produced need be assumed. After all, required to make decorative borders are, therefore, latent and easily brought to the surface.

Second, is the relationship between the banded and bordered styles as simple as Amsden suggests? He assumes that a break in style is a break in psychology. But if style results from constant quests for invention, such stylistic breaks are inevitable. When a style has exhausted the possibilities inherent in its principles, Navajo weaving may have reached this turning point prior to 1890.

Third, is there really a significant stylistic gap? Two other styles lie between the banded styles and the bordered style. They suggest that disintegration of the bands may have altered visual and motor habits and prepared the way for a border filled with separate units. In the Chief White Antelope blanket, dated Parts of diamonds arranged vertically at each side may be seen to anticipate the border.

What this question is testing

Local Purpose

Your task

Identify why the author included the referenced detail at that point in the passage — its function, not its content.

Common trap

Answers that merely repeat or summarize the topic of the detail instead of describing the role it plays.

Winning move

Ask what job the detail does for the paragraph, then for the passage's broader point.

Reading along? Open the full official question in LawHub — we show a fragment here and keep the reasoning in our own words.

The question
27.

The author most probably mentions the Chief White Antelope blanket in

Answer choices

  1. Trap1% picked this

    establish the direct influence of Anglo culture on the

  2. Correct91% picked this

    cast doubts on the claim that the bordered style arose primarily

    Why this is right

    Answer B is correct.

    Skill tested: Local Purpose · how this choice captures the passage's function is the move to repeat next time.

  3. Trap4% picked this

    cite an example of a blanket with a central design and

  4. Trap2% picked this

    suggest that the Anglo influence produced significant changes in the two earliest styles

  5. Trap3% picked this

    illustrate how the Navajo had exhausted the stylistic possibilities of the

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