Reading Comprehension

PT136 · S1 · P3 · Q21 Toni Morrison’s Jazz

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Music and literature, rivals among the arts, have not coexisted without intruding on each other’s terrain.

Topic

The musical structure and narrative innovation of Toni Morrison's novel Jazz, especially how it draws from jazz music to shape its literary form.

Framework

Theme / Example

Main Point

Morrison’s Jazz stands out as the first African American novel to use a musical genre—jazz—as its structuring principle, not just thematically but in the very way the story is told, thus redefining what narrative point of view can do in literature. (Best encapsulated in the final paragraph and in the sentences: )

P1: Literature inspired by music—Morrison’s innovation

We’re told that music and literature have always influenced one another, especially in the African American tradition, but that Toni Morrison was the first to structure an entire novel based on a musical genre—jazz—with her 1992 novel Jazz.

P2: How Jazz mimics jazz music in its narrative

The passage explains that the novel doesn’t just reference music in its plot but replicates jazz’s structure in its narration. The storytelling shifts from a detached narrator to deeply personal voices of the characters, much like solos in a jazz band, with the narrator still controlling the overall “composition.”

P3: Comparison to Duke Ellington’s musical innovations

This paragraph brings in Duke Ellington’s composing style—writing pieces tailored to his musicians, encouraging individuality but always within the larger work. Morrison’s storytelling is compared to this, with her allowing character “solos” within her own carefully designed narrative frame.

21.

It can be inferred from the passage that the author would be most likely to believe which one of the following?

  1. In Jazz, Morrison has perfected

    Too Strong: perfected

    This is just too exaggerated in making it sound like "everybody else in North America pretty much failed at this; meanwhile, Morrison perfected it." We don't have support for the extreme wording of the insult or the compliment.

    3% picked this

  2. Because of its use of

    Too Strong: most successful

    This is another strongly worded answer. Why we certainly wouldn't be opposed to picking a complimentary answer, since our author clearly has much respect for Morrison's innovative novel, we can't sign off on extreme phrasing like "she perfected a style" or "she has the most successful representation of the jazz musician's world". Morrison's novel wasn't being celebrated for nailing the world of jazz better than had any previous effort. It was being celebrated for its innovative idea to structure the novel the way the conductor of a jazz ensemble would structure a performance.

    3% picked this

  3. In Jazz, Morrison develops her

    Opposite

    The 2nd paragraph is actually complimenting Morrison on her ability to spotlight the singular voices of individuals, much the way that soloists in an ensemble get a chance to have their voice be heard. Morrison switches back and forth from an omniscient narrator who has a neutral, disembodied voice "to the first-person lyricism of key characters ... generous with the characters' voices ... their sections are set off by quotation marks, reminders that the narrator is allowing them to speak".

    16% picked this

  4. Correct

    The structural analogy between Jazz

    Why this is right

    This is lovably weak, in the sense that all we need to find in order to prove this statement is true is one more way in which Jazz and Ellington's composition style are analogous. 1. both switch between 1st person and 3rd person narrators 2. ? If we look at the end of the 3rd paragraph, we see: the musicians always performed within the undeniable logic of the composer's frame .. it is this same effect that Toni Morrison has achieved in 'Jazz'. So we've got a 2nd one: 2. "They both created a sense of an ensemble of characters improvising within the fixed scope of a carefully constructed collective narration." (beginning of last paragraph)

    Skill tested: Author Opinion · how this choice captures the passage's function is the move to repeat next time.

    68% picked this

  5. Morrison disguises the important structural

    Out of Scope: disguises

    The passage never gives off any vibe that Morrison was trying to hide her structural homage to jazz (I mean -- the novel was named Jazz, so she probably wasn't hiding it). The logic of this answer implies that in Ellington's compositions, the transitions between 1st and 3rd person narrators appears difficult (Morrison was disguising the resemblance by making her transitions look easy). We have no support for the idea that Ellington's transitions didn't appear easy.

    10% picked this

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