Reading ComprehensionDifficulty: Medium

PT125 S1 P3 Q13 Explanation

Aida Overton Walker

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TopicsMain PointHumanities

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Passage

Aida Overton Walker (1880-1914), one of the most widely acclaimed African American performers of the early twentieth century, was known largely for popularizing a dance form known as the cakewalk through her choreographing, performance, and teaching of the dance. The cakewalk was originally developed prior to the United States Civil War by retained features characteristic of African dance forms, such as gliding steps and an emphasis on improvisation.

To this African-derived foundation, the cakewalk added certain elements from European dances: where African dances feature flexible body postures, large groups and separate-sex dancing, the cakewalk developed into a high-kicking walk performed by a procession of couples. Ironically, while these modifications later enabled the cakewalk to appeal to European Americans and become European American stage performers, and these parodies in turn helped shape subsequent versions of the cakewalk.

While this complex evolution meant that the cakewalk was not a simple cultural phenomenon—one scholar has characterized this layering of parody upon parody with the phrase "mimetic vertigo"—it is in fact what enabled the dance to attract its wide audience. In the cultural and socioeconomic flux of the turn-of-the-century United States, where many things to many people in order to appeal to a large audience.

Walker's remarkable success at popularizing the cakewalk across otherwise relatively rigid racial boundaries rested on her ability to address within her interpretation of it the varying and sometimes conflicting demands placed on the dance. Middle-class African Americans, for example, often denounced the cakewalk as disreputable, a complaint reinforced by the parodies circulating flourishes of her version of the cakewalk a fitting vehicle for celebrating their newfound social rank.

What this question is testing

Main Point

Your task

Capture the passage's overall primary point — the claim everything else supports.

Common trap

Answers that are true but too narrow (a single paragraph) or too broad (beyond the passage's scope).

Winning move

Summarize the whole passage in one sentence first, then match it to a choice.

Reading along? Open the full official question in LawHub — we show a fragment here and keep the reasoning in our own words.

The question
13.

Which one of the following most accurately expresses the main point of

Answer choices

  1. Wrong Emphasis4% picked this

    Walker, who was especially well known for her success in choreographing, performing, and teaching the cakewalk, was one of the most widely recognized African

    The main clause here is "Walker was one of the most widely recognized African American performers of the early 20th century". There's no way that that would be the one sentence the author would say to us, if she were summing up this passage. The main clause doesn't even mention the cakewalk, which is arguably tied with Walker as the central topic of the passage.

  2. Wrong Causal Relationship13% picked this

    In spite of the disparate influences that shaped the cakewalk, Walker was able to give the dance broad appeal because she distilled what was

    "The most authentic" seems like it's Too Strong, but it is used by the passage in the second to last sentence. The problem is that this sentence winds up like the first sentence of our final paragraph (our Most Valuable Sentence), but it doesn't deliver the correct backend idea. She was able to give the dance broad appeal because of "her ability to address within her interpretation of it the varying and sometimes conflicting demands placed on the dance". The tidbit about the "most authentic" cakewalk was a subsidiary point fleshing out that main point. After that main point, we see, for example ... audience demand 1 Meanwhile ... audience demand 2 Finally .... audience demand 3 The main point of the passage is that Walker's interpretation was popular because it could satisfy 1, 2, and 3. This answer is saying it was popular purely because of #2.

  3. Correct75% picked this

    Walker popularized the cakewalk by capitalizing on the complex cultural mix that had developed from the dance's original blend of satire and cultural preservation,

    Why this is right

    This answer is initially very attractive because its main clause sounds a lot like our Most Valuable Sentence, the first sentence of the final paragraph. That sentence says that Walker's success in popularizing something was due to X. This answer is saying that Walker popularized something by doing X. Do the X's match? The last paragraph is saying that her interpretation of the cakewalk addressed the varying and sometimes conflicting demands. Varying and conflicting demands = the complex cultural mix They're certainly not synonyms, but if we get specific about what both of these general expressions are talking about, they're talking about the same thing. As the final paragraph summarizes, ya got: - middle class black people offended by the parodies, who want something graceful and noble. - middle/upper class white people, threatened by cultural change, who want "classic version" - the newly rich, who want a dance that lets them flex their swag. Some of the concerns above related to "satire", some to "cultural preservation".

    Skill tested: Main Point · how this choice captures the passage's function is the move to repeat next time.

  4. Wrong Emphasis Too Strong: primarily parodic4% picked this

    Whereas other versions of the cakewalk circulating at the beginning of the twentieth century were primarily parodic in nature, the version popularized by Walker

    This is a pretty close contender, since almost everything it says is true, other than "primarily". We know that satire and parody are present in many versions of the cakewalk. But it's hard for us to get specific when it comes to "primarily" (i.e. more than 50% of cakewalk versions were parodic?). Mainly, though, this answer is losing because it does a poorer job of stressing what the author thinks is most interesting or most important. Is the author's one-sentence takeaway, the thing he really wanted you to know about Walker / cakewalk, "Walker's cakewalk is noteworthy, because hers not only did the parody that everyone else was doing, but also did cultural preservation"? That's not a good match for the Most Valuable Sentence, the beginning of the last paragraph. That sentence is saying, "Walker's cakewalk was noteworthy because it achieved wide renown by addressing the varying and conflicting demands placed on it". Cultural preservation was one of the demands placed on it (the 2nd of the three audience demands profiled in the final paragraph). But the 1st one was grace and the 3rd one was a way to celebrate success, and this answer doesn't mention either of those. All three of them are of equal importance, so singling out the 2nd one fails to place emphasis on the bigger idea that unites them all.

  5. Too Strong4% picked this

    Because Walker was able to recognize and preserve the characteristics of the cakewalk as African Americans originally performed it, it became the first popular

    Too Strong: the first art form Wrong Causal Relationship The passage said that "these modifications enabled the cakewalk to become one of the first cultural forms", not "the first art form". This answer identifies Walker's causal difference-maker as "being able to recognize and preserve the original characteristics", but in the Most Valuable Sentence the author identifies Walker's causal difference-maker as "being able to address the conflicting and varying demands placed on the dance".

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