While a new surge of critical interest in the ancient Greek poems conventionally ascribed to Homer has taken place in the last twenty years or so, it was nonspecialists rather than professional scholars who studied the poetic aspects of the Iliad and the Odyssey between, roughly, 1935 and 1970. During these years, critics “are rather Philosophical, Historical, Geographical . . . or rather anything than Critical and Poetical.”
Ironically, the modern manifestation of this “nonpoetical” emphasis can be traced to the profoundly influential work of Milman Parry, who attempted to demonstrate in detail how the Homeric poems, believed to have been recorded nearly three thousand years ago, were the products of a long and highly developed tradition of oral poetry scholars away from the poems into the rapidly developing field of Homer’s archaeological and historical background.
Appropriately, Milman Parry’s son Adam was among those scholars responsible for a renewed interest in Homer’s poetry as literary art. Building on his father’s work, the younger Parry argued that the Homeric poems exist both within and against a tradition. The Iliad and the Odyssey were, Adam Parry thought, the beneficiaries of belief in a strong inherited tradition, but also by emphasizing Homer’s unique contributions within that tradition.
What this question is testing
Your task
Identify why the author included the referenced detail at that point in the passage — its function, not its content.
Common trap
Answers that merely repeat or summarize the topic of the detail instead of describing the role it plays.
Winning move
Ask what job the detail does for the paragraph, then for the passage's broader point.
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