In recent years the early music movement, which advocates performing a work as it was performed at the time of its composition, has taken on the character of a crusade, particularly as it has moved beyond the sphere of medieval and baroque music and into music from the late eighteenth and early to scholars. Nevertheless, the early music approach to performance raises profound and troubling questions.
Early music advocates assume that composers write only for the instruments available to them, but evidence suggests that composers of Beethoven’s stature imagined extraordinarily high and low notes as part of their compositions, even when they recognized that such notes could not be played on instruments available at the time. In the require playing a note that was probably frustrating for Beethoven himself to have had to play.
In addition, early music advocates often inadvertently divorce music and its performance from the life of which they were, and are, a part. The discovery that Haydn’s and Mozart’s symphonies were conducted during their lifetimes by a pianist who played the chords to keep the orchestra together has given rise to early denial of the fact that our concepts of musical intensity and excitement have, quite simply, changed.
What this question is testing
Your task
Pin down exactly what the question asks about the passage — a detail, the author's view, the structure, or the main point — before looking at the choices.
Common trap
Answers that restate a true detail from the passage but don't answer the specific question being asked.
Winning move
Anticipate the answer in your own words from the passage, then find the choice that matches that prediction.
Reading along? Open the full official question in LawHub — we show a fragment here and keep the reasoning in our own words.