Reading Comprehension

PT23 · S4 · P1 · Q4 Book About Rembrandt

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It has recently been discovered that many attributions of paintings to the seventeenth-century Dutch artist Rembrandt may be false.

https://assets.lsatlab.com/uploads/2022/04/pt23-p1.mp4

Topic

Rembrandt's approach to art and recent debates regarding the attribution and motivation behind his paintings

Framework

Challenge Position

Main Point

While Svetlana Alpers argues that Rembrandt's uniqueness lay in his entrepreneurial, market-driven approach to painting—including the marketing of his own persona—this interpretation places too much emphasis on economics and does not fully account for the profound artistic quality and aesthetic innovation that define Rembrandt’s work. The Most Valuable Sentence appears at the end of the third paragraph:

P1: Introduction—Disputed Rembrandt Attributions & Alpers’s Approach

Recent scholarship has called into question the attribution of many central Rembrandt paintings. Svetlana Alpers uses this controversy as a springboard to discuss how Rembrandt's style and approach to painting set him apart.

P2: Alpers’s View—Rembrandt as Entrepreneur

Alpers claims Rembrandt exerted strong control over his art and career, separating himself from traditional patronage and guilds. She argues that he operated like an entrepreneur and marketed not just his paintings, but his name and persona, motivated largely by economics.

4.

Which one of the following, if true, would provide the most support for Alpers' argument about Claudius Civilis?

  1. Rembrandt was constantly revising his

    No Impact

    This makes it sound like Rembrandt was a finicky perfectionist. But this doesn't have anything to do with making it sound like Rembrandt gave the Council a purposefully mediocre Claudius, hoping to bilk more money from them by leaving it unfinished.

    5% picked this

  2. The works of many seventeenth-century

    No Impact

    This is about other artists. This doesn't have anything to do with making it sound like Rembrandt gave the Council a purposefully mediocre Claudius, hoping to bilk more money from them by leaving it unfinished.

    6% picked this

  3. Many of Rembrandt’s contemporaries eschewed

    No Impact

    This is about other artists, Rembrandt's contemporaries. This doesn't have anything to do with making it sound like Rembrandt gave the Council a purposefully mediocre Claudius, hoping to bilk more money from them by leaving it unfinished.

    3% picked this

  4. Correct

    Artists were frequently able to

    Why this is right

    This adds plausibility to Alpers' story (that Rembrandt leaves paintings deliberately unfinished in the hope of making money later by revising / completing them), by making us more aware of how Rembrandt would have had legitimate reason to think this would work. If artists of his time were frequently able to raise the price of a painting when the buyer wanted the work revised, then Rembrandt would have been very incentivized to do the thing that Alpers is accusing him of doing.

    Skill tested: Strengthen · how this choice captures the passage's function is the move to repeat next time.

    85% picked this

  5. Rembrandt did not allow his

    No Impact

    This tells us that Rembrandt would not have allowed any of this students to work on Claudius. But that doesn't give us any extra reason to believe that Rembrandt gave the Council an intentionally unfinished Claudius in the hopes of extracting more money.

    1% picked this

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