Reading ComprehensionDifficulty: Easy

PT18 S3 P4 Q24 Explanation

Luminist Paintings

A free, expert breakdown of this official LSAT Reading Comprehension question.

TopicsAuthor OpinionHumanities

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Passage

In the history of nineteenth-century landscape painting in the United States, the Luminists are distinguished by their focus on atmosphere and light. The accepted view of Luminist paintings is that they are basically spiritual and imply a tranquil mysticism that contrasts with earlier American artists’ concept of nature as dynamic and energetic. the onlooker toward a lucid transcendentalism, an idealized vision of the world.

What this view fails to do is to identify the true significance of this transcendental atmosphere in Luminist paintings. The prosaic factors that are revealed by a closer examination of these works suggest that the glowing appearance of nature in Luminism is actually a sign of nature’s domestication, its adaptation to human a muting of those emotions, like awe and fear, which untamed nature elicits.

One critic, in describing the spiritual quality of harbor scenes by Fitz Hugh Lane, an important Luminist, carefully notes that “at the peak of Luminist development in the 1850s and 1860s, spiritualism in America was extremely widespread.” It is also true, however, that the 1850s and 1860s were a time of trade In all of these places he painted the harbors with their ships—the instruments of expanding trade.

Lane usually depicts places like New York Harbor, with ships at anchor, but even when he depicts more remote, less commercially active harbors, nature appears pastoral and domesticated rather than primitive or unexplored. The ships, rather than the surrounding landscapes—including the sea—are generally the active element in his pictures. For Lane the justification of the atmosphere necessary for business, if also an exaggerated, idealistic rendering of that atmosphere.

What this question is testing

Author Opinion

Your task

Pin down exactly what the question asks about the passage — a detail, the author's view, the structure, or the main point — before looking at the choices.

Common trap

Answers that restate a true detail from the passage but don't answer the specific question being asked.

Winning move

Anticipate the answer in your own words from the passage, then find the choice that matches that prediction.

Reading along? Open the full official question in LawHub — we show a fragment here and keep the reasoning in our own words.

The question
24.

The passage contains information to suggest that the author would most probably agree with which one of

Answer choices

  1. Wrong Point of View6% picked this

    The prevailing religious principles of a given time can be reflected in the art

    Wrong Point of View: religion reflected in art Although this answer is lovably weak in wording, (X can be reflected in Y), we don't have any sentence in the passage where the author talks about "the prevailing religious principles of a given time". More importantly, this answer sounds more like the point of view the author wrote this passage to disagree with. This sounds like the Misconception about Luminism that the author is trying to dispel, that the tranquil atmosphere and light was a reflection of spirituality or mysticism.

  2. Too Strong: must2% picked this

    In order to interest viewers, works of art must depict familiar

    This is an absurdly strong maxim that no one in the world would agree to. It's saying that there is zero chance a single person could possibly be interested in work of art X, unless that work of art depicts a familiar subject in detail. Doesn't the entire art movement of Impressionism contradict this sentence? (Impressionism did not depict detail; its style is famously fuzzy and suggestive)

  3. Too Strong: must4% picked this

    Because commerce is unusual as a subject in art, the painter of commercial activity must travel

    This uses the same extreme formulation as (B), although this answer is at least more limited in scope. But it's still saying something very strong to believe that, "every single person who paints commercial activity must travel and observe it widely". Really? What if you live in a bustling port city and just paint the commercial activity of the town you live in? Why would you need to travel in order to paint commercial activity?

  4. Correct83% picked this

    Knowing about the environment in which an artist lived can aid in an understanding of a

    Why this is right

    This, and choice (A), are really the only two answers worth considering after the 1st pass. The others are ridiculously strong. Like (A), this is just saying "X can be Y". Within this passage, did it ever seem like knowing about the environment one of these artists lived in was helping us to understand a work by that artist? Sure, the author is disagreeing with a critic who thinks that the spiritual quality of Lane's harbor scenes should be understood as reflecting the extremely widespread spiritualism of the time. Our author thinks a correct understanding of Lane's harbor scenes is that Lane was showing how nature had been domesticated as route of passage for commercial ships. She supports this by talking about the fact that from 1848 until his death, he lived in a house with a view of the harbor and made short trips to other port cities. She says in the final paragraph that, In sum I consider Lane's sea simply an environment for human activity ... the luminescence that Lane paints symbolizes nature's humbled state, and its tranquility in a sense signifies no more than good conditions on the highway to progress. This is an example of a correct answer for which there is no explicit line of support. Rather it's naming an implicit assumption of the argument the author made. Since the author cited Lane's personal environment en route to her assessment of the significance of Lane's painting style, she would presumably agree that "thinking about an artist's background can be relevant to attaining a proper understanding of their work".

    Skill tested: Author Opinion · how this choice captures the passage's function is the move to repeat next time.

  5. Too Strong: most popular6% picked this

    The most popular works of art at a given time are devoted to furthering economic

    Nothing in the passage ever singles out the most popular works of art at any given time. We have no idea if any of the Luminist paintings discussed qualify as "one of the most popular works of its times".

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