Reading ComprehensionDifficulty: Hard

PT139 S3 P2 Q14 Explanation

A Return to Tintypes

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Passage

When Jayne Hinds Bidaut saw her first tintype, she was so struck by its rich creamy tones that she could hardly believe this photographic process had been abandoned. She set out to revive it. Bidaut had been searching for a way to photograph insects from her entomological collection, but paper prints simply dimensionality she wanted. The image-containing emulsion can often create a raised surface on the plate.

For the photographer Dan Estabrook, old albumen prints and tintypes inspired a fantasy. He imagines planting the ones he makes in flea markets and antique shops, to be bygone time that never existed.

On the verge of a filmless, digital revolution, photography is moving forward into its past. In addition to reviving the tintype process, photographers are polishing daguerreotype plates, coating paper with egg whites, making pinhole cameras, and mixing emulsions from nineteenth-century recipes in order to coax new expressive effects from old photography’s roots that the movement is more like a groundswell.

The old techniques are heavily hands-on and idiosyncratic. That is the source of their appeal. It is also the prime reason for their eclipse. Most became obsolete in a few decades, replaced by others that were simpler, cheaper, faster, and more consistent in their results. Only the tintype lasted as a curiosity cropped out by a nineteenth- century photographer, Estabrook retains them to heighten the sense of nostalgia.

This preoccupation with contingency offers a clue to the deeper motivations of many of the antiquarian avant-gardists. The widely variable outcome of old techniques virtually guarantees that each production is one of a kind and bears, on some level, the indelible mark of the artist’s encounter with a particular set of circumstances. an intimacy with photographic communication that mass media have all but overwhelmed.

What this question is testing

Strengthen

Your task

Find the choice that makes the argument's conclusion more likely to be true.

Common trap

Answers that are consistent with the argument but add no real support, or that strengthen a claim the argument doesn't make.

Winning move

Locate the gap between evidence and conclusion, then pick the choice that closes it.

Reading along? Open the full official question in LawHub — we show a fragment here and keep the reasoning in our own words.

The question
14.

The reasoning by which, according to the passage, Estabrook justifies his choice of certain strategies in photographic processing would be most strengthened if which one

Answer choices

  1. Correct54% picked this

    When advanced modern photographic techniques are used to intentionally produce prints with imperfections resembling those in nineteenth-century prints, the resulting prints

    Why this is right

    This rules out an Alternate Option, thereby strengthening. Since Estabrook wants the "stains and imperfections of prints made from gum bichromate or albumen coatings" (in order to heighten the sense of nostalgia), one might say, "Why don't you just use a digital camera and then Photoshop those stains and imperfection in later?" But this answer is saying when you try to achieve the same antiquated look by using modern techniques, the result invariably looks artificial. The viewer can tell that you've tried to replicate some old-fashioned feel in some way that's "cheating". Thus, if Estabrook really wants people to find these photos at a flea market and be convinced that they are originals from some long bygone era, he needs to use the actual old-school processing methods.

    Skill tested: Strengthen · how this choice captures the passage's function is the move to repeat next time.

  2. Weakens12% picked this

    The various feelings evoked by a work of art are independent of the techniques used to produce the work and

    This answer makes it seem like we could tell Estabrook, "Hey, I feel ya -- I get the various feelings you're trying to evoke with your photograph. But you should know .. those feelings have nothing to do with the techniques you use to produce the work." That would make it seem like there's no reason for Estabrook to use these more complicated, labor-intensive techniques.

  3. Weaken, if anything9% picked this

    Most people who use photographs as a way of remembering or learning about the past value them almost exclusively for their ability

    This answer is saying that most people want photos to do as good a job as possible at recording subjects accurately. Meanwhile, Estabrook is wanting photos to have weird stains and imperfections. So this answer seems like it's setting up a mismatch between what most people prize in a photo and what Estabrook is attempting to create in his photos.

  4. Weakens, if anything7% picked this

    People who are interested in artistic photography seldom see much artistic value in photographs that appear antique but

    Estabrook is someone who sees a lot of artistic value in photographs that appear antique but are not really antique. This answer is saying that most people interested in artistic photography don't share that view. Ultimately, it doesn't matter whether people share Estabrook's view or not, but if anything this answer gives off the vibe of going against Estabrook, not with him.

  5. Too Weak18% picked this

    The latest photographic techniques can produce photographs that are almost completely free of blemishes and highly resistant

    This is pretty similar to what we were looking for, which was something like "modern techniques don't have features that heighten nostalgia. they don't allow for people to project sentiments and associations." But this is saying that modern techniques can produce photos that are almost free of [the blemishes and imperfections that Estabrook wants]. However, it doesn't say that modern techniques have to produce blemish-free photos. This answer still leaves open the possibility that Estabrook could get the same effect he's going for while using modern photographic techniques. By comparison, (A) tells us that Estabrook can't get the same effect he's going for with modern techniques (the modern techniques would inevitably betray that the photographer was trying to fake an old photo).

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