Reading Comprehension

PT136 · S3 · P1 · Q3 Ousmane Sembene

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Many critics agree that the primary characteristic of Senegalese filmmaker Ousmane Sembène's work is its sociopolitical commitment.

Topic

Ousmane Sembène’s unique adaptation of film to West African oral storytelling traditions

Framework

Highlight Noteworthy

Main Point

Sembène stands out not just for his sociopolitical commitment, but for successfully fusing Western filmmaking with the forms and techniques of West African oral culture, allowing him to reach a broad local audience and create distinctive films. The core idea is outlined in the first paragraph:

P1: Sembène’s Sociopolitical Commitment and Originality

Sembène intentionally makes his films about more than entertainment—they’re meant to raise consciousness about society. What really sets him apart, though, is how he adapts Western filmmaking to fit West African oral traditions, making his work accessible to all Senegalese people.

P2: Elements from West African Storytelling in Sembène’s Characters and Motifs

His movies pull directly from traditional West African storytelling—using symbols (like trees), stock characters (like the trickster), and predicaments that represent common struggles. Just like oral tales, his characters are more like “types” than individuals.

P3: Narrative Structure Inspired by Dilemma Tales

Sembène structures many of his films like West African “dilemma tales,” which are meant to spark debate and interpretation among the audience. His stories often have open-ended conclusions (sometimes literally using freeze-frames) to encourage viewers to actively engage and decide the outcome themselves.

3.

Which one of the following would, if true, most strengthen the claim made by the author in the last sentence of the passage?

  1. Correct

    Several African novelists who draw

    Why this is right

    This supports the view that the use of binary oppositions are derivative of African oral storytelling, since these African novelists have not read Marxist theory.

    Skill tested: Strengthen · how this choice captures the passage's function is the move to repeat next time.

    77% picked this

  2. Folklorists who have analyzed oral

    Weaken

    This makes it less likely that the use of binary oppositions are related to African oral storytelling since this structure is common to many oral storytelling traditions across the world.

    6% picked this

  3. When he trained in Moscow,

    Weaken

    This makes it more likely that the binary oppositions are related to the Marxist components of Sembène’s ideology.

    4% picked this

  4. Very few filmmakers in Europe

    Too Weak

    This narrows down the source of Sembène’s influence, but does not make it more or less likely that the influence was either Marxist or West-African.

    2% picked this

  5. Binary oppositions do not play

    Too Weak

    Just because some films produced by other filmmakers who subscribe to Marxist ideology do not use binary oppositions as essential structure tools, does not indicate whether Marxist ideology influence Sembène’s use of binary oppositions.

    11% picked this

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