Reading ComprehensionDifficulty: Easy

PT122 S3 P2 Q7 Explanation

African Art Classification

A free, expert breakdown of this official LSAT Reading Comprehension question.

TopicsMain PointHumanities

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Passage

Through the last half century, the techniques used by certain historians of African art for judging the precise tribal origins of African sculptures on the basis of style have been greatly refined. However, as one recent critic of the historians’ classificatory assumptions has put it, the idea that the distribution of a . . a decided falsification of the very life of art in Africa.”

Objects and styles have often been diffused through trade, most notably by workshops of artists who sell their work over a large geographical area. Styles cannot be narrowly defined as belonging uniquely to a particular area; rather, there are important “centers of style” throughout Africa where families, clans, and workshops produce sculpture art historians who attempt to assign particular objects to individual groups on the basis of style.

One such center of style is located in the village of Ouri, in central Burkina Faso, where members of the Konaté family continue a long tradition of sculpture production not only for five major neighboring ethnic groups, but in recent times also for the tourist trade in Ouagadougou. The Konaté sculptors are subtly different that few people outside of the area can distinguish Nuna masks from Ko masks.

Perhaps historians of African art should ask if objects in similar styles were produced in centers of style, where artists belonging to one ethnic group produced art for all of their neighbors. Perhaps it is even more important to cease attempting to break down large regional styles into finer and finer tribal clear, one cannot readily tell which group produced an object by analyzing fine style characteristics.

What this question is testing

Main Point

Your task

Capture the passage's overall primary point — the claim everything else supports.

Common trap

Answers that are true but too narrow (a single paragraph) or too broad (beyond the passage's scope).

Winning move

Summarize the whole passage in one sentence first, then match it to a choice.

Reading along? Open the full official question in LawHub — we show a fragment here and keep the reasoning in our own words.

The question
7.

Which one of the following titles most completely and accurately describes the contents

Answer choices

  1. Correct83% picked this

    African Centers of Style: Their Implications for Art Historians’ Classifications of

    Why this is right

    It's a little surprising for the main point to put "centers of style" front and center, but they do get talked about in the 2nd and 3rd paragraph, and even a little mention in the 4th paragraph. They are at the heart of the case the author is making for why it's hard for historians to determine precise tribal styles by which to classify African art. Their Implications on classification is explicitly covered in the 2nd paragraph. The final sentence of that paragraph is saying, "as a consequence of there being these centers of style, there can be much confusion on the part of historians attempting to assign particular objects to individual groups on the basis of style". If we were thinking about this as a Challenge Position passage, this fits: the passage is challenging historians' classification by saying "have you considered how centers of styles could be distorting your impression"? If we were thinking about this as Problem / Solution, this would essentially describe the Problem: there is much confusion caused by centers of style, for historians trying to classify African art.

    Skill tested: Main Point · how this choice captures the passage's function is the move to repeat next time.

  2. Wrong Emphasis4% picked this

    African Art Redefined: The Impact of the Commercialization of Sculpture and the Tourist

    Although commercialization and tourist demand are discussed in the context of the 3rd paragraph's example, they are not big picture ideas. This passage did not aim to tell us how tourism and commercialization has changed the world of sculpture. It aimed to tell us that historians' ability to accurately classify African art is highly dubious.

  3. Wrong Emphasis2% picked this

    Characteristics of African Sculpture: Proportion, Composition, Color,

    Although proportion, composition, color, technique are discussed in the context of the 3rd paragraph's example, they are not big picture ideas. This passage did not aim to give us an informative art seminar on the defining characteristics of African sculpture. It aimed to tell us that historians' ability to accurately classify African art is highly dubious.

  4. Out of Scope: Style vs. Technique11% picked this

    Style Versus Technique: The Case Against Historians of

    The subtitle of this is dreamy! We love "the case against historians of African art". But the case against them is, "They are inventing categories that aren't as clean cut as you're pretending they are. After all, centers of style complicated that a lot." There's no way to stretch the author's concerns into being one of Style vs. Technique. We would want something like, "A Big Blind Spot: the Case Against Historians" "It's Complicated: the Case Against Historians" "A Fool's Errand: the Case Against Historians"

  5. Wrong Emphasis1% picked this

    Konaté Sculptors: Pioneers of the African

    This title is far too narrow. The Konaté sculptors were just a specific example of a big point. This essay wasn't profiling the Konaté. It was using the Konaté to profile a larger issue about the trouble with classifying African art.

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