Reading Comprehension

PT121 · S3 · P1 · Q4 Cave Paintings

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One of the intriguing questions considered by anthropologists concerns the purpose our early ancestors had in first creating images of the world around them.

Topic

The purpose of 25,000-year-old Aurignacian cave paintings and what they reveal about early human society.

Framework

Answer / Explain

Main Point

The cave paintings of the Aurignacians were probably not created primarily for aesthetic enjoyment, but rather served practical and possibly magical purposes related to ensuring food supply and performing rituals to influence hunting success. The main point is most clearly encapsulated in the 3rd paragraph, where the author explains the prevailing theory:

P1: Introduction to the Question & Initial Hypothesis

Why did early humans, like the Aurignacians, start making art? Some anthropologists think the Aurignacians must have had comfortable enough lives to support full-time artists, suggesting the existence of a specialized group practicing art in their society.

P2: Challenge to the "Just for Art" Hypothesis

However, the location of these cave paintings—deep inside dark, hard-to-reach caves—makes it unlikely they were made just for people to look at and enjoy, since hardly anyone would see them if that were the point.

P3: Practical and Magical Explanations

Experts suggest these paintings served a deeper, more practical or spiritual function: perhaps they were meant to give hunters magical power over animals, as evidenced by things like red hearts and arrows drawn on the animals, as well as depictions of pregnant animals (maybe to ensure plenty of prey). There's also evidence of ritual dances and the involvement of shamans, pointing to ceremonial activities tied to these artworks.

4.

The author mentions the relative inaccessibility of the Aurignacian cave paintings primarily to

  1. stress the importance of the

    Unrelated to Goal

    The author mentions inaccessibility to cast doubt on the storyline that these paintings came from professional artists subsidized by the community. If the community was supporting artists so that everyone could benefit from having beautiful art in their lives, then why did they make the art exhibit so hard for everyone to see? Our author was never trying to make the point that these paintings were really important to artists, since they had to climb through deep recesses of caves to get to their "studio".

    3% picked this

  2. Correct

    lay the groundwork for a

    Why this is right

    The author is rejecting P1's explanation: this makes it unlikely it's [what they were saying]. And ultimately the author does this in order to setup an alternate / additional explanation in P3: these weren't just for aesthetics; they were part of religious rituals.

    Skill tested: Local Purpose · how this choice captures the passage's function is the move to repeat next time.

    90% picked this

  3. suggest that only a select

    Out of Scope (permitted)

    The author never talks about whether people were allowed to see it or not. It was just about how it was difficult to see it; it didn't give off the vibes of a public art exhibition.

    3% picked this

  4. help explain why the paintings

    Wrong Purpose

    The author's agenda is P2 is not to stress anything about the quality of preservation. We're all about investigating "who was it that made these paintings and why were they making them"?

    1% picked this

  5. support the argument that Aurignacian

    Opposite (if anything)

    The view in P1 was stressing that the Aurignacians were apparently living a pretty comfy life, since they seemingly could afford to subsidize a group of highly skilled artisans whose main contribution to the world was producing art. The author's purpose in mentioning inaccessibility is to cast doubt on this storyline.

    3% picked this

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