Film historians have made two major criticisms of Depression-era filmmakers: first, that they were too uncritical of the economic status quo; and second, that they self-indulgently created films reflecting their own dreams and desires. However, these filmmakers made their movies with an eye to profit, and so they provided what their audiences a care in the world. Thus, the second criticism cannot be accurate.
What this question is testing
Your task
Find the assumption that, if added, guarantees the conclusion follows.
Common trap
Answers that only partly bridge the gap, leaving the conclusion unproven.
Winning move
Identify the new term in the conclusion and pick the choice that links it to the evidence.
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