Novelists cannot become great as long as they remain in academia. Powers of observation and analysis, which schools successfully hone, are useful to the novelist, but an intuitive grasp of the emotions of everyday life can be obtained only life that is precluded by being an academic.
What this question is testing
Conclusion
The author claims academia and great novel-writing can't coexist.
Evidence
Academics get powers of observation and analysis (good!) but they miss something else: an intuitive feel for everyday emotions, which only comes from being in the world rather than in the ivory tower.
Evaluate
Here's the gap. The argument tells us academics can't get the "intuitive grasp." Then it concludes they can't be great. For that to follow, the intuitive grasp has to be something a great novelist actually needs. If it's a perk but not a requirement, then academics could still become great without it — and the argument falls apart.
Think of it like this: That argument works only if cooking is required for "being good at cooking" (it is). Here we need the same kind of bridge: the intuitive emotional grasp is required for greatness as a novelist.
Goal
The right answer states: a great novelist needs the intuitive grasp of everyday emotions.
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