Curator: The decision to restore the cloak of the central figure in Veronese’s painting from its present red to the green found underneath is fully justified. Reliable x-ray and chemical tests show that the red pigment was applied after the painting had been completed, and that the red paint was not mixed artist other than Veronese tampered with Veronese’s painting after its completion.
Art critic: But in a copy of Veronese’s painting made shortly after Veronese died, the cloak is red. It is highly unlikely that a copyist would have so soon after Veronese’s death.
What this question is testing
Argument Structure
The curator's argument is layered. Walk it forward:
1. Tests show the red was added after the painting was finished and wasn't mixed in Veronese's workshop.
2. Therefore, a later artist (not Veronese) tampered with it.
3. Therefore, restoring it back to the original green is justified.
Evaluate
Notice the tampering claim sits in the middle. It's supported by something below it (the tests) and it itself supports something above it (the justification for restoration). That makes it an intermediate or subsidiary conclusion — not the main point, but a stepping-stone to the main point.
Goal
Find: the tampering claim is a subsidiary conclusion that supports the main conclusion.
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